Chapter quotes  from the book……
 Creative Arts in  Interdisciplinary Practice, Inquiries for Hope and  Change
 “ In this book we  bring together a field that stresses the vital importance of creativity and the  human story, a body of work that seeks to help give voice to the silenced, the  oppressed and the marginalized, and narrative accounts of personal  transformation that honour creative expression as fundamental and at the very  source of human meaning and purpose.”
 From the book  introduction, “Shaping the Field”
 Cheryl  McLean
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 “The collaborative   “Homelessness Solutions from Lived  Experiences through Arts-Informed Research” illustrates a particular case in  which arts can be brought together in various ways to raise awareness and  promote social change…The use of arts was particularly effective because it  allowed for the meaningful inclusion of people who are homeless in the research  process as peer researchers and the artwork created by those who have  experienced homelessness first hand.”
 Collaborating to  Tell the Stories of Homelessness in Toronto
 Isumi Sakamoto,  Matthew Chin, Cyndy Baskin
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 As an artist  researcher working in communities I use the arts as form, method, analysis and  more as the art/inquiry itself moves us toward social justice and equity: new  forms of relatedness.  My work does its  best to be participatory and community based, but there are practical and  economic considerations that need to enter the conversations….I also understand  that the best conditions for this work are not always in place and so must  engage where we are invited, working with the limits of the contingencies of  each project.  Finally, I must admit the  importance of using art as process and product in communities, and how staying  with arts practices, staying in the metaphors as they emerge, reveals  significant personal and community shifts.”
 The Voice of the  Artist as Researcher, Homelessness in Toronto
 Nancy Viva Davis  Halifax
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 Ultimately,  Community Environmental Forum Theatre proves most valuable to science as a  bridge process:  each project increases  scientific literacy within a given community and builds capacity for informed  citizens and community based organizations to collaborate on increasingly more  complex public health research.”
 Engaging  Neighbors, Transforming Toxic Realities
 John  Sullivan
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 Photovoice is a  creative arts medium which has great potential as an intervention for health  promotion and disease prevention.  Our  experience using a photovoice-based intervention with Latino mothers and  daughters demonstrates how broadly the arts can be used to intervene on and  advocate for the health and well being of individuals, families and  communities.”
 Our Voice through  Pictures Mother and Daughter
 Carolyn Garcia,  Sandi Lindgren
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 “Empowerment  suggests that marginalized communities help to create a space for alternative  voices to be heard.  That is to say,  through engagement in the social construction of the community’s notion of what  it means to be healthy, boundaries are crossed, difference is celebrated and  cultural empowerment becomes the source of citizen participation.  Community participation became the  translational bridge for co-creating meaning of the event into positive action  of many attendees.”
 Health Disparities  in Our Community:  Reflections in Art and  Performance A Community Based Participatory Approach with Arts as a  Translational Bridge to Knowledge
 Olga Idriss  Davis
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 “I returned to  dance, intuitively, instinctively.  The  dance of death was now my dance of life.   As I danced, like a woman possessed, my conscious mind snuffed out the  reality of my loss.  While my world as  wife and mother had been cruelly wrenched from me, I came to understand that my  identity as a dancer had survived, an identity that no outside force could  destroy.  As I willed movement into my  paralyzed arms and legs; step by step, gesture by gesture, my still body came to  life.”
 Revealed by Fire,  A Woman’s Personal Story of Grief, Dance and  Transformation
 Lata  Pada
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  “Ethnodramatic representations and  presentations of health and illness bring participants’ vulnerability,  fragility, and, in most cases, resiliency to heightened prominence.  Perhaps more than the academic journal  article, the ethnotheatrical performance, if well done for a receptive audience,  holds potential to increase awareness, deepen understanding and provide  experiences that generate sympathetic and empathetic responses and memories for  future application and transfer into clinical practice and possibly healthy care  policy.”
 Ethnodramas about  Health and Illness:  Staging Human  Vulnerability, Fragility and Resiliency
 Johnny  Saldana
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 Throughout our  work, the concept of “empathy” and the practical realization of empathic  encounters in performance have  proved  central to our development of reflective based practice.  …We all have a “thinking body” which takes  into account the coupling of emotional visceral responses found in empathy.  In the area of dance, the term empathy is  often used in tandem with the word  kinaesthetic to place emphasis on the  corporeal. ..Empathy has gained momentum as a concern in performance practice  today because of the need to understand one’s own being in relationship to the  being of another.”
 Performance Based  Approaches and Moving Toward Kinaesthetic  Understandings
 April Nunes  Tucker, Amanda Price
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 “In order to  address the complex challenges now facing our world, the ability for intentional  deep listening becomes critical.   Arts-based practice can contribute to intentional deep listening as it  assists individuals in the development of creative  capacity.”
 Mining the  Depths:  Performing Stories of Home and  Homelessness
 Ian Prinsloo,  Jessie Negropontes, Sarada Eastham, Christine Walsh, Gayle  Rutherford
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 “Through  participating in community based media creation novice directors and  photographers strengthen their ability to advocate on their own behalf.  ..while becoming a director, marginalized  individuals learn to actively express themselves in the process of creating new  media works, regardless of the commercial potential of the work.  In the process of training a novice director,  the artist/researcher makes the connection between self-expression and  self-determination explicit allowing the novice to apply artistic knowledge to  their social relationships.”
 Community Media  Arts, Encouraging Citizenship through Creative Self  Expression
 Lorna R.  Boschman
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  “Psychological and psychosocial  interventions  including music therapy  play their part by assisting clients in rebuilding social, emotional, education,  recreational and vocational skills and can lead to enhanced social functioning  and quality of life.  In recent years,  there has been an increase in evidence based research and literature promoting  the effectiveness of music therapy in the treatment of schizophrenia and like  illnesses.   “
 Rapping from the  Inside Out, Music therapy and Rap Music
 Anthony  DiGiacomo
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  “Making theatre has the potential to shift  identities, create relationships and build communities.  ..Making theatre is not only a construction  of a story, it is the construction of a new reality…Theatre, at its best, is  social dreaming, on the stage, behind the scenes, in the audience and outside  the theatre walls.”   
 Community, Hope  and transformation for a Hard of Hearing  Student
 Theresa Webber,  George Belliveau, Graham Lea
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 “When I started  the narrative ethics group at The  University of Toronto’s Joint Centre for Bioethics, I began to understand  that such narrative practice allowed a more robust and deeper human inquiry to  emerge beneath the layers of intellectual dialogue about ethical issues in  healthcare.  The layers of reality that a  narrative exploration uncovered added significantly, in my opinion, to the  intellectual discussions we were having as clinical ethicists on notions of  right and wrong.”
 To be Human with  Other Humans , a Caregiver’s Narrative
 Susan K.  MacRae
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 “ This project  enlisted dietitians in an experiential, narrative inquiry through use of a  Resiliency Map.  Three themes  emerged:  disconnection, workplace  conflict and relational resiliency which were further informed by gender,  emotionality and burnout. “
 Mapping  Resiliency:  Building Bridges Toward the  Future, An Experiential Arts-based Narrative Inquiry with Dietetics  Professionals
 Jacqui Gingras,  Jennifer Atkins
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 “Creative  leadership demands creative problem solving and there are many areas..in which  arts based learning can assist leaders in developing innovative  solutions…Management programs in higher education are looking toward the arts to  cultivate the leadership skills and attributes necessary to succeed in the  current marketplace.  The application of  the arts in management education encompasses cross sector leadership skills that  include collaboration, team building, communications, innovation and creativity;  with the intent of strengthening these skills through arts based  learning.”
 Creating A Place  for the Arts in Healthcare Management Education
 Sherry  Fontaine
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 “I believe my  personal experience with illness drastically changed the way I practiced  medicine in many ways.  It led me to  practice with more empathy and greater understanding of the importance of active  listening, validating experience, and involving patients in decision making  among other things.”
 Honouring the  Patient’s Voice in Health Professional  Education
 Seema Shah
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 “ students eagerly  began the process of creating their own digital stories as representations of  patient narratives.  They recognized  early on that process was just as important as form and function.  Their goal was not simply to reproduce what  they had heard, but to communicate the rich multidimensional experience they  witnessed.  What came forth was their own  unrealized artistic talent and originality, an appreciation for the challenges  that go into writing and rewriting the narrative and the sense of sheer joy in  creating a lasting communication product.”
 Digital Stories  and Experiential Learning, Teaching Medical Students about Patients as  Educators
 Kim a. Bullock,  Kathleen McNamara, Donna Cameron
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 “ The shoreline of  Newfoundland is where I return, in body whenever I can, or at other times at  least in spirit, to reflect, to write my life—its present, its past and its  future.  My mother’s body gave me life,  remembered my past, and could foretell my future.”
 My mother’s body,  A story of grieving, remembering and touch
 John J. Guiney  Yallop
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 “As daughters of  women who lived with and died with Alzheimer’s disease, we remember and use the  practical and emotional realities that were our own experience of caregiving to  guide our work.  Rooted as we are in the  everyday routines of caregiving, we found ourselves drawn to three dimensional  installation art with its assemblage quality of found materials.  Using the “everyday” and “ordinary” as guides  we chose universal, domestic symbols and forms in order to keep “the academy and  the kitchen table” together and make our work broadly  accessible.
 Paying Tribute to  Caregivers through Arts informed Research as a Path to Hope and  Change
 Ardra Cole and  Maura McIntyre
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 “At the center of  this inquiry into ethics, aesthetics, the power of public mourning and  connection to place, is a series of questions about home’s properties,  associations, and manifestations (or lack there of) in the political, cultural,  emotional and embodied realms.  How do  the stories we tell about home influence our experiences of home?  Once displaced, what are the conditions  necessary for making home anew?”
 Performing Beauty,  Practicing Home
 Collaborative Live  Art and the Transformation of Displacement
 Devora  Neumark